The BBC recently unveiled a restored version of Eric Gill’s “Prospero and Ariel,” a prominent statue that has graced the broadcaster’s Broadcasting House since 1933. Gill is recognized as one of the most important sculptors of the 20th century. Yet allegations that he violently abused several women have prompted a reexamination of his legacy and growing calls for his works to be removed from public display.
The statue “Prospero and Ariel” was restored in 2020 after being damaged by protestors. In 2022 and again in 2023, someone just took a hammer to it and smashed the thing. Local media outlets report that the BBC has confirmed the arrest of David Chick, 38, of Northamptonshire. He climbed the scaffolding at Broadcasting House to hit the statue himself. In response to this incident, the BBC has installed a protective screen in front of the sculpture to prevent further damage.
Surprisingly, the restoration efforts (£529,715) were all paid for by the BBC rather than covered by an insurance claim. This decision underscores the broadcaster’s commitment to preserving its cultural heritage while navigating the complexities surrounding the artist’s legacy. A BBC spokeswoman stated, “When the building was subject to serious criminal damage, on two occasions, there were no easy options for addressing the destruction caused.”
Though Gill was widely revered for his artistic accomplishments, his legacy as an artist is overshadowed by shocking details that came to light after his passing in 1940. His journals, released in the late 1980s, chronicle his sexual assault of his daughters. This history has led the BBC to make public statements about Gill’s work. The broadcaster’s repudiation of his behavior is clear. They feel strongly about distinguishing the artist’s objectionable behavior from the value of his valuable artworks.
Duncan Wilson, CEO of Historic England, admitted Gill’s contentious position. He stated, “We welcome the BBC’s approach to repairing the sculpture and providing interpretation which explores this complex history.” This sentiment is part of an ongoing debate about how institutions should deal with some of the more unsavory characters from history.
The BBC’s approach seems to be to restore the statue as would be appropriate to its Grade II* listing. A spokeswoman further elaborated, “Having sought expert advice and opinion, we repaired the façade in line with the building’s Grade II* status.” This intentional approach beautifully demonstrates the institution’s commitment to honoring historic legacy yet being sensitive to modern day values.
Conversations about Gill’s legacy are still developing. The recently-restored “Prospero and Ariel” is a glowing tribute to artistic triumph and moral responsibility and always should be. The public conversation that continues to unfold around this statue is illustrative of how we can acknowledge our painful pasts while recognizing important cultural contributions.
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